Archive
2013.10.01
The technology and experience cultivated by Mitsubishi Jisho Design has been brought together
The need to preserve history within the framework of urban regeneration
GINZA KABUKIZA architectural design and construction supervision services
Project Manager
Architectural Design Department 4 Kazunori Nomura
February 2013. Construction was completed on the reconstruction of the Kabukiza Theatre, a Ginza landmark with a 125-year history.
The new Kabukiza, the fifth phase, is a complex development consisting of a theater and the high-rise Kabukiza Tower.
The building was completed by incorporating cutting-edge technology while retaining tradition, and the expertise cultivated by Mitsubishi Jisho Design
A wealth of experience, know-how, and technical skills were poured into the project.
The current "GINZA KABUKIZA" project is a mixed-use development that includes the Kabukiza and Kabukiza Tower. The site in Ginza 4-chome, formerly Kobikicho, is where the Kabukiza has been located since 1889. The previous Kabukiza (4th Kabukiza), beloved by many Kabuki fans for many years, was the 3rd Kabukiza designed by architect Okada Shinichiro and built in 1924, but was damaged in the war and subsequently renovated by architect Yoshida Isohachi. The previous Kabukiza was made of reinforced concrete and beautifully expressed the traditional style, but due to deterioration of the structure caused by two fires, as well as issues with earthquake resistance and barrier-free access, it was forced to undergo a drastic functional upgrade, i.e. a complete rebuild.
Kabuki, a traditional art form that Japan takes pride in around the world, and its temple, the Kabukiza, are in fact protected by private companies, Shochiku Co., Ltd. and Kabukiza Co., Ltd. In order to ensure that Kabuki and the Kabukiza will continue to be passed down forever, it was necessary to ensure stable business viability by effectively utilizing the land and building an office building alongside it. In other words, this project is an urban regeneration project with the main focus on the preservation of the Kabukiza, the landmark of Ginza and the temple of Kabuki. The project began in 2006 and has been going for about seven years. Within the framework of urban regeneration development, we have been tackling the important theme of how to preserve the "tradition of the Kabukiza" that has been passed down to the fourth stage.
We have been involved in a number of redevelopment projects involving the succession of historical buildings. The The Industry Club of Japan, Mitsubishi UFJ Trust and Banking district with the preservation of the Japan Industrial Club Hall (registered tangible cultural property), the MYPLAZA district with the preservation of the Meiji Seimei Kan (nationally important cultural property), the Marunouchi Park Building district with the restoration of Mitsubishi Ichigokan, and the JP Tower district with the preservation of the Tokyo Central Post Office Building are just a few of the many cases of historical succession that we have undertaken in redevelopment projects. The Tokyo Central Post Office Building was preserved in the JP Tower area. I have been involved in three of these cases, with the exception of the Meiji Seimei Kan.
Mitsubishi UFJ Trust and Banking Corporation Head Office Building
In previous cases, from the perspective of inheriting the historical value of the architecture itself, we used cultural property restoration methods to faithfully preserve, restore, and recreate the original, based on the survey and analysis of historical materials and the building. However, in this project, it was a completely new attempt to inherit the traditions of the Kabukiza, even though it was not possible to preserve the architecture itself. In other words, from the perspective that the traditions of the Kabukiza, the hall of Kabuki, reside in the "Fourth Kabukiza," which grew as an optimal solution as a theater dedicated to Kabuki amid repeated rebuilds and renovations since 1889, we took a thorough look at the Fourth Kabukiza and inherited what should be inherited and reflected it in the Fifth Kabukiza. In terms of space and design, we followed the form of the previous Kabukiza and reused old materials in key areas, in order to create a building that would resonate with the memories of each person involved, including Kabuki fans, actors, and business owners.
Of course, the new features required for the fifth Kabukiza are incorporated throughout. On top of that, Kobikicho Square was created beneath the Kabukiza to function as an urban plaza connected to the subway concourse, and a rooftop garden and exchange facility were created on the rooftop to widely disseminate Kabuki culture. Furthermore, a megastructure on a civil engineering scale was used to create the Kabukiza Tower, which stands 145m above ground and spans the pillar-free stage space, including the Great Naraku (approx. 15m deep) and the fly tower (approx. 20m high). GINZA KABUKIZA was completed through meticulous planning and the latest, advanced technology.
Since the fifth Kabukiza opened, the opening performances have been packed with eagerly awaited Kabuki fans every night, and the reviews have been excellent. I was also happy to hear many people say, "The nostalgic Kabukiza has returned, just like before." When the fifth Kabukiza was completed and I experienced the exterior and interior spaces of the building once again, I felt a connection with the fourth Kabukiza in my memory, and the scene of the site that I had been witnessing in reality until then seemed like a dream. This moment is sure to come in any project that involves the preservation of the history of a historic building. It is at this moment that you can recognize that the preservation of history has been successful. I believe that the fans, business owners, and actors who support the tradition of Kabuki have also connected with the Kabukiza in their memories, just like me. I also believe that the success of the project was the result of the extraordinary cooperation and guidance of all those involved, and I would like to express my gratitude to Shochiku and Kabukiza for giving me the opportunity to be involved in this wonderful project.
Photo courtesy of Shochiku Co., Ltd. and Kabukiza Co., Ltd.
This special feature was compiled in 2013. The titles of each person in charge are those from that time.
OTHER INTERVIEWS
Featured GINZA KABUKIZA
The technology and experience cultivated by Mitsubishi Jisho Design has been brought together
The need to preserve history within the framework of urban regeneration
GINZA KABUKIZA architectural design and construction supervision services
Project Manager
Architectural Design Department 4 Kazunori Nomura
Featured GINZA KABUKIZA
The former Kabukiza
Inheriting “invisible goodness.”
Chief Designer
Architectural Design Department 4 Kazuhiro Ishibashi
Featured GINZA KABUKIZA
The image of the Kabukiza Theater that has been loved for many years
Design: Antique materials convey an aura of history and add elegance to the building
Architectural Design Satoru Satoru Sumitani
Design Construction Supervision Design Construction Supervision of a high-performance office tower that harmonizes with the Kabukiza Theater
Architectural Design Department IV Takushu Arai
Featured GINZA KABUKIZA
The challenge: creating a pillar-free theater space
Taking on the challenge of "supporting a super-tall tower"
Structural Engineering the challenge of building a super-tall tower on a column-free space
Structural Engineering Department: Yoji Ishibashi
Construction Supervision: Megatruss achieves unprecedented precision
Engineering Department Yuji Nakajo
Featured GINZA KABUKIZA
While inheriting the design of its predecessor,
Updated for the latest features
Mechanical MEP Engineering Making use of the previous design to create a more functional building
Mechanical MEP Engineering Department Atsushi Nakamura
Electrical MEP Engineering Integrating the functions unique to a dedicated Kabuki theater
Yasunori Yamaguchi, MEP Engineering Department
Featured GINZA KABUKIZA
As a "complex cultural hub"
New Kabukiza Theatre
Urban Planning: The New Kabukiza was launched as a multi-cultural hub
Planning & Project Consulting Department Takeshi Tomita
Landscape Buildings and gardens are integrated under the theme of "tei-oku-ichinyo"
Urban Environmental Planning Department, Noriyuki Matsuo
Update : 2013.10.01