Archive
2013.10.01
The image of the Kabukiza Theater that has been loved for many years
Design: Antique materials convey an aura of history and add elegance to the building
Architectural Design Satoru Satoru Sumitani
Design Construction Supervision Design Construction Supervision of a high-performance office tower that harmonizes with the Kabukiza Theater
Architectural Design Department IV Takushu Arai
The idea is to fuse the long-loved Kabukiza Theater with a high-rise office building without destroying its image.
The design team took on this unprecedentedly difficult task.
What did they pay particular attention to in order to faithfully reproduce the atmosphere of the previous Kabukiza?
Antique materials convey an aura of history and brighten up the building
Design and Architectural Design: Satoru Sumitani
This is an unprecedented project to rebuild a traditional Kabuki theater while preserving its design, and to combine it with an office building. I was in charge of the design of the theater portion, and conducted historical research and actual measurement surveys to ensure the preservation of the previous Kabuki theater.
First, we started by understanding the shapes and construction methods of the roof tiles, kumimono (parts that support the eaves on the pillars), and fittings, which are characteristic designs. Based on the results, we were committed to using old materials as much as possible, and for example, the upper part of the main entrance is equipped with a "flower-patterned transom" made from recycled wood from the fourth period. This is a design that was passed down from the third period to the fourth period. In addition, we preserved and reused stone and wood materials, including the karahafu (gabled roof) and "kazari metal ornaments" used inside the theater. In particular, repairs to the old materials were kept to a minimum for the frame stone of the main entrance door and the wooden proscenium arch on the stage, intentionally leaving the nail marks and scratches that have been carved by time. Old materials that have been around for a long time give off an aura. By inheriting the design of the fourth period and incorporating original old materials, the inherited parts come to life and the whole gives a sense of the inheritance of time. I think that the old materials convey the aura of history and add a gorgeous touch to the Kabukiza in the fifth period.
/Bottom: Fifth Kabukiza
On site, as the person in charge of the theater's facade, I worked closely with Kuma's office, the contractor, and the lighting designer, holding numerous meetings to discuss the fit of each facade material and the use of recycled materials. I verified the reused metal fittings by matching them to the full-scale drawings of the roof area, and ultimately created a mockup to check the fit, color, construction method, and appearance of each component when lit up. The facade team worked together to carefully consider the merits of texture and joints, ensuring that the diverse materials that make up facade 's main components, including PC boards, GRC, aluminum, roof tiles, and metal fittings, blended seamlessly with the overall design, resulting in the realization of the fifth phase of facade. It was a continuous process of truly difficult work, but there were many exciting moments, such as when the scaffolding on site was removed and part of the fifth phase facade was revealed on Harumi-dori Street.
The moment life was breathed into a dormant theater
The happiest moment of participating in this project was seeing many customers entering the newly completed fifth Kabukiza. The theater, which had seemed asleep until the roof was removed, was brought back to life and given a new lease of life. After all, a building only comes to life when it is used. On a personal note, my grandmother, who was born in the Taisho era and has known the theater since the third Kabukiza, said to me, "The white exterior walls are beautiful, and the new Kabukiza is the best." I was also happy when she said this. The fourth Kabukiza was dirty from the effects of ultraviolet rays and exhaust fumes, so although it had a warm feel, it couldn't be this color from the start for a new renovation. After conducting a color test, we concluded that the previous building must have been close to the white color of the plaster, and we chose the paint with great care. It felt like our efforts were recognized.
Design Construction Supervision of a high-performance office tower that harmonizes with the Kabukiza Theater
Takushu Arai, Architectural Design Department IV, in charge of design Construction Supervision
I joined this project as a design Construction Supervision when construction had already begun. I was in charge of Construction Supervision the interior and facade of the high-rise tower and the underground connections. I performed a huge amount of on-site checking, including ensuring that the design drawings were accurately reflected in the construction drawings and the fit of the finer details. I consulted with Kuma and his office on the selection of colors and materials.
Construction Supervision is a role that requires strict adherence to the construction schedule, ensuring the safety of the building while being mindful of costs, and completing the project on time. Our company has long adhered to a policy of strict Construction Supervision. However, communication with the contractor is important, and we were conscious of the stance of "Let's create something good together."
Realizing the strength of having professionals in each department
We thoroughly tested the performance of each part, assuming heavy rain, extremely strong winds, earthquakes, etc. When a problem arose, we worked together with the people in charge of design, facilities, and structure to come up with a solution. In that respect, I think we were able to take advantage of our strength as an organization of professionals in each department.
The color of the tower's exterior was an issue that we struggled with on site. White is particularly difficult. It's huge, and this time it serves as the backdrop for the Kabukiza Theater, so it can't stand out. The impression is different on sunny days and cloudy days, so we also had to consider how it would match the color of the theater itself. We went through the mockups many times to consider the design.
The Kabukiza Tower serves as the backdrop to the Kabukiza Theater and plays a supporting role in terms of the exterior design. Although it plays a supporting role, I believe it is able to provide high-performance, high-added-value office space to office tenants.
This special feature was compiled in 2013. The titles of each person in charge are those from that time.
OTHER INTERVIEWS
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The technology and experience cultivated by Mitsubishi Jisho Design has been brought together
The need to preserve history within the framework of urban regeneration
GINZA KABUKIZA architectural design and construction supervision services
Project Manager
Architectural Design Department 4 Kazunori Nomura
Featured GINZA KABUKIZA
The former Kabukiza
Inheriting “invisible goodness.”
Chief Designer
Architectural Design Department 4 Kazuhiro Ishibashi
Featured GINZA KABUKIZA
The image of the Kabukiza Theater that has been loved for many years
Design: Antique materials convey an aura of history and add elegance to the building
Architectural Design Satoru Satoru Sumitani
Design Construction Supervision Design Construction Supervision of a high-performance office tower that harmonizes with the Kabukiza Theater
Architectural Design Department IV Takushu Arai
Featured GINZA KABUKIZA
The challenge: creating a pillar-free theater space
Taking on the challenge of "supporting a super-tall tower"
Structural Engineering the challenge of building a super-tall tower on a column-free space
Structural Engineering Department: Yoji Ishibashi
Construction Supervision: Megatruss achieves unprecedented precision
Engineering Department Yuji Nakajo
Featured GINZA KABUKIZA
While inheriting the design of its predecessor,
Updated for the latest features
Mechanical MEP Engineering Making use of the previous design to create a more functional building
Mechanical MEP Engineering Department Atsushi Nakamura
Electrical MEP Engineering Integrating the functions unique to a dedicated Kabuki theater
Yasunori Yamaguchi, MEP Engineering Department
Featured GINZA KABUKIZA
As a "complex cultural hub"
New Kabukiza Theatre
Urban Planning: The New Kabukiza was launched as a multi-cultural hub
Planning & Project Consulting Department Takeshi Tomita
Landscape Buildings and gardens are integrated under the theme of "tei-oku-ichinyo"
Urban Environmental Planning Department, Noriyuki Matsuo
Update : 2013.10.01